New: Documentary on our ‘Huy Nativities’ by Alma & Georges, University of Fribourg…

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Gloria in excelsis deo: Cléo Lange and Diana Helfer as shepherdesses Eylison and Mahai at the appearance of the Angels.

A huge thankyou to the wonderful performers, helpers and audience members who took part in our Huy Nativities in December 2017: the performances were so moving, atmospheric and thought-provoking.  Christian Doninelli at the University of Fribourg has made a short, free documentary film about our opening night at the Ursuline convent in Fribourg — watch it on the University’s Alma & Georges’ website here!

Our next performances will take place in the week of the 9th April 2018: we will be staging the Barking Abbey Harrowing of Hell and Visitatio Sepulchri, with a new performance script established by our doctoral student, Aurélie Blanc.  More information about dates and times of the performances will be available here soon…

Theatre History Podcast

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On the 7th of June the Medieval Convent Drama team had the pleasure of recording a podcast with Michael Lueger for Theatre History. I was new to such an experience and was slightly dreading it. Would I even be able to articulate words? What if I suddenly forgot how to speak English?

There was no need to worry; it was a fantastic experience and allowed us all to share our discoveries with one another, as well as with the podcast listeners. It was also quite lovely to be able to explain to someone who is not part of the project why medieval nuns are so valuable to the study of drama.

We touched on various themes: the reasons nuns performed drama, the differences between these plays and other medieval drama, the relation of the plays with the liturgy, their importance when considering gender dynamics in the Middle Ages, the examples of Barking and Huy and finally, the project’s attention to performance.

A significant aspect of our methodology consists of performing medieval plays in front of a modern audience, who might not know anything about medieval drama. Opening our project to the public is extremely valuable to us. Not only does it bring precious research information, it also prevents enclosing the project behind the university walls. One of the goals of our work is to contribute to changing the generally-accepted view that all medieval drama was performed by men. One way of doing this is, of course, by making our research known to other scholars. However, the possibility of having an impact beyond academia and of influencing how people view the past, a past through which we often define ourselves, fulfils this goal in an unexpected and highly rewarding way. Performance gives us this possibility– and we will therefore re-create convent plays in local nunneries– but the Theatre History podcast has provided the project with another way of fulfilling this aim and of reaching a non-specialist audience.

A big thank you to Michael Lueger!

Listen to the podcast here

Aurélie

Call for applications for doctoral studentship: Medieval Convent Drama

Medieval Convent Drama is a major new research project, funded by the Swiss National Science Foundation, at the University of Fribourg, Switzerland, led by Professor Elisabeth Dutton and Dr Olivia Robinson with the collaboration of Dr Matthew Cheung Salisbury (Oxford).  We seek a student to undertake a fully funded doctoral thesis, to be supervised by the project’s collaborators, on any area within the scope of the project.

Project outline

The project will examine the understudied participation of women as actors, compositors and copyists of plays within a wide range of convent-based dramatic performances in the late Middle Ages.  Focusing on convents in England, France and Burgundy, we will: 1) investigate the manuscript presentation of all surviving convent plays from this region; 2) uncover archival evidence for the times and spaces in which they were staged, the possible composition of their casts and audiences, and the other literary and cultural activities of the convents in question; 3) investigate through performance their use of liturgical citation and translation, and ecclesiastical places, spaces and material objects as dramatic tools.  We seek to deepen critical understanding of the ways in which medieval convent communities actively shaped their own dramatic reinterpretations of Biblical and other narratives, the role this drama may have played for its performers and spectators, and the importance of this neglected tradition for broader scholarly assessments of medieval dramatic, devotional and liturgical practices.

Doctoral Study at Fribourg

The successful candidate will receive funding for three years, including all doctoral fees and a maintenance grant of approx. CHF 50,000 per year.

The University is situated in the centre of the medieval city of Fribourg, at the feet of the Jura mountains. Its established Centre for Medieval Studies, currently directed by Professor Dutton, brings together a rich group of researchers into palaeography and codicology, art history, philosophy, literature in Latin, and English, French, and other European vernaculars, medieval theatre, women’s writing, history, and musicology. Other research projects currently based in Fribourg include Fragmentarium, a network that facilitates the study of medieval manuscript fragments through online resources, and Professor Dutton’s Early Drama at Oxford project that studies plays written and staged in Oxford Colleges in the medieval and early modern period.

A wide range of financial and training resources are available to support doctoral students, including those of the Conférence Universitaire de Suisse Occidentale, which organizes regular doctoral workshops and conferences, and the Swiss Association of Medieval and Early Modern English Studies, which encourages contact and collaboration among researchers at the Universities of Fribourg, Lausanne, Geneva, Neuchâtel, Berne, Basel, Zurich.  Researchers have access to the collective library resources of these Universities, and Fribourg itself has a well-endowed medieval library.

Doctoral Student

Applicants should hold a relevant MA, MSt, MPhil or equivalent, and have experience in one or more of:

–     Medieval French literature
–     Medieval English literature
–     Medieval Latin
–     Codicology and palaeography
–     Medieval musicology
–     Medieval Theology
–     Drama and performance
–     Medieval art and architecture
–     Website management

Applicants should email CV and cover letter in English, detailing how their knowledge and expertise could contribute to the project, to Professor Dutton:

elisabeth.dutton@unifr.ch

The selection process may include an interview, possibly via Skype.

Closing date for applications: MONDAY 6th JUNE 2016